While I don't write much about what I'm actually reading about, it's about time I do that.
I'm holding my breath, waiting for The Witcher to come out on Netflix this year.
For those who don't know anything, this was originally a book series written by Andrzej Sapkowski, a Polish author in the early 90s. Despite this author's disdain for video games, it's the Witcher games that skyrocketed his recognition at all. I've mentioned in the past that he took a lump sum agreement rather than contract any royalties. So he made a whole lot less in selling permission than he could have if he had any foresight of how amazing the games would be. Honestly, serves him right, but nonetheless, I'm enjoying currently reading the translations of his books.
I didn't know shit about Witcher until I bought the third game for PS4. GOTY (game of the year) edition too, all beefy with the expansions (which are even better than the core game, but I've already written that review so I won't rehash it). It's dark, it's emotional, it's everything that made me burn to write fantasy myself. It takes old themes and breathes new life into them. Mythical monsters, the gritty realities of human life, the tortured main character who feels like an impostor of humanity meanwhile displaying it more often than most, through his grey veil of morality. He lives by a code, which he claims is the code of all witchers but is more a personal set of rules that we see both the wisdom and folly in.
But the stars that shine brightest in this loner's path are the women who pass through his life. Not the endless stream of prostitutes he patronizes (though these are never insignificant women either) but the little girl he is destined to protect and the terrifying sorceresses who reveal his heart. How efficiently they puncture and expose it yet never make that heart seem weak or unguarded. I am drawn most to this series because it appeals to what I aim for; an unbiased and unforced look at what moves living being and the world around them. It is not just sentient beings that shape a world. From the sudden burst of kingdoms at war to the last twitch of a dying insect, each detail is not insignificant or wasted. This isn't idle, self-congratulating prose. It's an organism in and of itself.
What captivated me most about the games is that you were given moral choices. There are hard consequences for making an essentially good or bad decision... And consequences for walking away. In one of my favorite storylines, you are given the choice to release a demon who tugs at your heartstrings with its take of being trapped inside a tree pulsing with pain for centuries. The reward seems satisfying... But if you choose this, the demon possesses a horse, which sets off a startling chain of events that leads to a prominent man losing his wife to their dead demonic stillborn child and hanging himself. Meanwhile, if you coldly destroy the demon, this man lives, as does his wife. His living child, him and his wife all surviving means a chain of far more rewarding events. You start to learn that Geralt's apparent coldness, playing him more as the code-bound monster from the books, actually exhibits his wisdom and greater good far more in the long run. While it doesn't endear him to most people, you start to see that the few who do trust his judgement tend to live longer and be more beneficial.
Like the Mary Shelley Frankenstein book, the lines between monster and man cannot be assumed. No one sees Geralt as more of a monster than himself, a fact which annoys those who know him. While his plans and actions aren't without flaw, they do not trust him lightly. Despite his refusal to see himself as more than a mutant, he doesn't distrust or reject his inner circle in any other way. He instantly passes off the reins to someone better suited to solve a problem, ready to step in when it is time.
What appeals most is how much he reminds me of one of my own characters. Oddly, a white haired assassin that looks younger than his years. He is unafraid of death, even seems keenly aware of it snapping at his heels. He doesn't stare death in the face or turn to catch a glimpse because he knows the hesitation means he meets death. There is simply a resignation and acceptance that death will walk with him one day. He will hasten it nor avoid it. He is no stranger to fear, but death, next to all of the evils in life, is just a last breath in the wind.
It's not exactly original. It's something many of us ponder and it's a resolution that many fantasy writers come to. Yet, well done, it has quite the impact on our most visceral fears and hopes.
If you've made it this far, then I hope I've inspired you to look more closely at this series too.
The details I know so far is that the Netflix series is coming sometime this year. It launches eight episodes for the first season and will see more if it's as popular as it's projected to be. I hope to all hell it is that and more. I was pretty psyched to hear Henry Cavill is playing Geralt. I've seen him act in many things and he's certainly got the unwavering eyes and strong masculine features Geralt is always accused of. The series is very adult and sexually charged and Cavill isn't afraid to get naked. I hope that we can see more series that steer away the prudish taboos that oddly plague fantasy purists. Deep and sexy aren't mutually exclusive.
So I'm more than ready to see it in live action. The books are entertaining, the games are absolutely stunning (the facial animation in Witcher 3 is some of the most expressive and engaging) but I can't wait to see where The Witcher show will meet between the books and games.
And fuck, Andrzej; hopefully, you bargained more wisely this time around. That writer's ego will take the piss out of you if you get too cocksure.
For those who don't know anything, this was originally a book series written by Andrzej Sapkowski, a Polish author in the early 90s. Despite this author's disdain for video games, it's the Witcher games that skyrocketed his recognition at all. I've mentioned in the past that he took a lump sum agreement rather than contract any royalties. So he made a whole lot less in selling permission than he could have if he had any foresight of how amazing the games would be. Honestly, serves him right, but nonetheless, I'm enjoying currently reading the translations of his books.
I didn't know shit about Witcher until I bought the third game for PS4. GOTY (game of the year) edition too, all beefy with the expansions (which are even better than the core game, but I've already written that review so I won't rehash it). It's dark, it's emotional, it's everything that made me burn to write fantasy myself. It takes old themes and breathes new life into them. Mythical monsters, the gritty realities of human life, the tortured main character who feels like an impostor of humanity meanwhile displaying it more often than most, through his grey veil of morality. He lives by a code, which he claims is the code of all witchers but is more a personal set of rules that we see both the wisdom and folly in.
But the stars that shine brightest in this loner's path are the women who pass through his life. Not the endless stream of prostitutes he patronizes (though these are never insignificant women either) but the little girl he is destined to protect and the terrifying sorceresses who reveal his heart. How efficiently they puncture and expose it yet never make that heart seem weak or unguarded. I am drawn most to this series because it appeals to what I aim for; an unbiased and unforced look at what moves living being and the world around them. It is not just sentient beings that shape a world. From the sudden burst of kingdoms at war to the last twitch of a dying insect, each detail is not insignificant or wasted. This isn't idle, self-congratulating prose. It's an organism in and of itself.
What captivated me most about the games is that you were given moral choices. There are hard consequences for making an essentially good or bad decision... And consequences for walking away. In one of my favorite storylines, you are given the choice to release a demon who tugs at your heartstrings with its take of being trapped inside a tree pulsing with pain for centuries. The reward seems satisfying... But if you choose this, the demon possesses a horse, which sets off a startling chain of events that leads to a prominent man losing his wife to their dead demonic stillborn child and hanging himself. Meanwhile, if you coldly destroy the demon, this man lives, as does his wife. His living child, him and his wife all surviving means a chain of far more rewarding events. You start to learn that Geralt's apparent coldness, playing him more as the code-bound monster from the books, actually exhibits his wisdom and greater good far more in the long run. While it doesn't endear him to most people, you start to see that the few who do trust his judgement tend to live longer and be more beneficial.
Like the Mary Shelley Frankenstein book, the lines between monster and man cannot be assumed. No one sees Geralt as more of a monster than himself, a fact which annoys those who know him. While his plans and actions aren't without flaw, they do not trust him lightly. Despite his refusal to see himself as more than a mutant, he doesn't distrust or reject his inner circle in any other way. He instantly passes off the reins to someone better suited to solve a problem, ready to step in when it is time.
What appeals most is how much he reminds me of one of my own characters. Oddly, a white haired assassin that looks younger than his years. He is unafraid of death, even seems keenly aware of it snapping at his heels. He doesn't stare death in the face or turn to catch a glimpse because he knows the hesitation means he meets death. There is simply a resignation and acceptance that death will walk with him one day. He will hasten it nor avoid it. He is no stranger to fear, but death, next to all of the evils in life, is just a last breath in the wind.
It's not exactly original. It's something many of us ponder and it's a resolution that many fantasy writers come to. Yet, well done, it has quite the impact on our most visceral fears and hopes.
If you've made it this far, then I hope I've inspired you to look more closely at this series too.
The details I know so far is that the Netflix series is coming sometime this year. It launches eight episodes for the first season and will see more if it's as popular as it's projected to be. I hope to all hell it is that and more. I was pretty psyched to hear Henry Cavill is playing Geralt. I've seen him act in many things and he's certainly got the unwavering eyes and strong masculine features Geralt is always accused of. The series is very adult and sexually charged and Cavill isn't afraid to get naked. I hope that we can see more series that steer away the prudish taboos that oddly plague fantasy purists. Deep and sexy aren't mutually exclusive.
So I'm more than ready to see it in live action. The books are entertaining, the games are absolutely stunning (the facial animation in Witcher 3 is some of the most expressive and engaging) but I can't wait to see where The Witcher show will meet between the books and games.
And fuck, Andrzej; hopefully, you bargained more wisely this time around. That writer's ego will take the piss out of you if you get too cocksure.
No comments:
Post a Comment
Let me know what you think! Constructive feedback is always welcome.