UnSung is Here!

This book, like all books I finish, had a very special goal. I wanted it to be a true epic entry. I'd gotten caught up in the word count for traditional publishing years ago and I always feel like it might have affected, for better or worse, how I approached writing. Instead, I removed those mental restrictions and just set out to bring in a word count that the book needed--I could get carried away, but it would still need a limit if I were to put it in paperback. There's only so much a spine can hold (or that a reader might want to hold). Luckily, with a decent font size, it still came under the 825 page limit by about 100 pages so it's definitely not stretching the next book too thin either.

Ahem, first things first. The universal book link to find the retailers is HERE but feel free to just pop into your favorite store and type in my name (Krista Gossett-- I have no clue how people are arriving here, so I'll not take chances).

UnSung is a part of the UnQuadrilogy, a series that explores the mistakes of the four Gods broadly through the messes that the humans and other creatures have to clean up. The layers come in bite-sized subplots, driven by a cast of characters of all different fantasy races and backgrounds. At least one main character tends to have a disability that also makes them more open to abilities that the 'able' do not. There are typically several plot threads that are character-driven and these tend to establish the 'chapters'. The only format that is consistent is that each book has three parts and an epilogue. The Prologue in UnSung is actually used to shift the view point from Talia's view in the Epilogue of UnNamed to some of Aiden's history and his view of events. This means that, at this point, it's not necessary to have read UnNamed (although you may appreciate knowing some of the characters reappear in UnSung and there are some Easter eggs tied into the story). UnSung does mention some of those events in passing, enough that they make sense on their own. I can't guarantee I'll keep this up for later books, since it gets more difficult (and tedious) in an epic to keep mentioning past events. For UnSung, it was not cheesy or tedious or I might have scrapped it.

In truth, it's not difficult to make at least 90% of each book completely standalone. For one, each one deals with new main characters. This is because their roles end up taking on a more significant one later. I also attempted to make it difficult to discern which of the characters is actually a 'main' character. Someone who plays a significant story-telling role may not be around for the long haul. The way the plots move serve to: 1) develop a character, 2) create an understanding of a subplot, or 3) support the main plot. I don't set out to kill or protect the characters, only to make sure each piece plays a clear role.

For this reason, it feels odd to assign each book a description. I can tell you the leading story-tellers (at least, to a point), the main plot, even some of the more significant subplots. However, knowing the books as I do, I can't really place significance on anything for you. It's a slow-burner fantasy that changes pace. It plays with politics, adventure, deceit, psychology, light and dark humor. I've always been drawn to fantasies with layers--not ones where the romance is the only driving force or constant or death and nihilism is the goal. I like it to be a multi-faceted playground that leads to a definite conclusion, yet still lets the reader keep it open to their imagination.

So-- each book concludes something. Each part concludes something. Each plot finds a conclusion. It's my hope that readers can also connect to at least one character, if not more. My expectations as a writer certainly considered what might appeal to a fan, but ultimately, my focus was on telling a complete story, yet one that I could expand on again and again.

UnNamed is already in the process of receiving more short stories. My nameless mercenary keeps me curious, keeps me wondering how his early life shaped the man he would become. The tricky thing is though that the short story spin-offs are more difficult to classify. Some of my short story spin-offs have verged into erotica, some adventure, and some seem more like investigative mysteries. I wonder if this is a sign of lacking discipline, or... Rather, I am willing to write what the story needs to be rather than restricting it to rigid requirements.

I know I'm roundabout getting to this, but UnSung starts with two scared young people, Aiden and Talia, who flee from the scene of a horrific murder, neither sure if anyone will believe they aren't responsible or that they can withstand the consequences regardless. They journey to the continent of Melikai, each trying to establish their own lives, each bothered by the whispers of a vast trade city turning ghost town. When they realize there is no such thing as a normal life for them, it leads them to extraordinary circumstances and deeper mysteries.

If I can manage to hook you for the long game, it will all become clear. As a fan of Sherlock Holmes and authors like Dean Koontz and James Patterson, I've always been a fan of dropping clues that feed you bread crumbs along the way. My characters, no matter their vocation, all play a bit of an investigative or driving role. I've said before, I don't set out to write paragraphs of self-congratulatory prose--enough to romance you to the elements, but not so much that you lose track of where you're supposed to be. If you WANT to wander in thought, I let that be your prerogative, not the hostage situation I put you in.

Between the drawing and the winter hobbyist stint, I haven't yet gone back to UnHeard. It got a huge draft boost during NaNoWriMo and I'm invading short story territory as well. UnHeard, like my other books, sometimes gets ambitious boosts (I've hit 10K in a single day more than once), sometimes a few modest 2-5K stints, sometimes dry spells because... I do more than write. I've had a few people urge me to pick an area. 

Easier said than done. I love drawing, but that's a challenge on my physical health that writing isn't, namely because I have bad habits in posture and ergonomics that I can't seem to correct without expensive equipment. Comics would be a lot more lucrative to do for me, but I need to take different risks and the planning is trickier. I'll certainly try it, but...

I do resolve to at least finish up the UnQuadrilogy first. So writing will be full-time at least for the next couple years. It won't be going away, at least as long as there are ideas I like better in that medium. However, if comics take off and I can handle the physical demands, it will become the priority.

That's a 'we'll see' situation. Being a modern artist is largely about flexibility, rather than just humping the same tree. We just don't live in a time where we can staunchly master one area, room and board a part of our apprenticeship. Certainly some can, but they are not only extremely lucky, but exceedingly rare. Most of even the most successful artists I know are rarely able to just master one area. Rather, they have to get pretty damn good at a lot of things and hope they actually like the ones that come into demand.

I loved crochet (and still do) but as a business, it sucked all the fun out of it, made it into something I didn't like. I find that writing and art don't poison in their reception, good or bad. It's easier for me to turn people down or accept/ignore criticism. With crafting, I just don't seem to have the same patience. Nevertheless, I treat it with integrity, refusing to sell crafts for peanuts. If I love you, I'll gift my work, but otherwise, don't even bother asking me to make something if you're not up to paying crafter prices. I don't fuck with negotiation or tolerate being devalued in any area. I won't demean the ones who brave the market by undercutting them. You want days of someone's life for a handcrafted piece, pay for it.

Uh-oh, someone is avoiding creativity today... (me...). I started some lifestyle changes today and the morning hours passed by fast. I might draw a bit, but really, I'm still adjusting to things that might require a bit of forgiveness for the break in ambition.