Showing posts with label updates. Show all posts
Showing posts with label updates. Show all posts

Saturday, June 29, 2019

Avoiding the Real Trap of Setbacks

First off, there are simply some life factors that will always make certain challenges harder for certain people. You can't simply wish away disability or mental illness, nor force your mind to latch onto what needs to get done or even what you feel like you really want to do. There's no magical solution and I don't have ten steps to overcome any hurdle. You will have setbacks--some that come from within and some from people or situations that slow you down or stand in your way.

What often remains the only thing in your immediate control is your inner voice.

I've had Hulu looping Shark Tank for a few days so I've picked up on some important lessons from the ones that 'failed' to pick up an investor. The show itself often updates to show success stories of the ones chosen to invest in, but it also shows that some of the ones who weren't chosen blew up with success. Often, it was the ones who walked out of that room with a better understanding of their business rather than defeated by what they thought was the lost opportunity that would propel them forward. Even when one of the Sharks told them to burn their business down and move on.

On occasion, yes, people have stars in their eyes on a sentimental mission and the advice to quit is valid. Passion alone could feed some hole in their soul, but they will always be a drain on their finances or those of their investors. It is always a mistake to walk into that room without BOTH passion and a sensible idea of how you can make your ideas worthwhile to an investor. Occasionally, how well you can pull their heartstrings actually works, but the Sharks also have fickle moods and are all business, no bullshit with someone else.

Gimmicks don't really save you when it comes to dealing with any setbacks in life. If you can accept that your passion may be a drain on other aspects of your well-being, by all means, follow them. If your business idea is promising but a tedious drain on any other happiness, would you still want it so badly? Socially, we're often lauded with the merits of grinding through anything that makes money, but it's considered frivolous to grind for happiness. While it may not be a popular risk, a passion is not some panacea for total happiness, success, or even somehow a lazier option. In fact, its failures can sometimes be just as devastating and just as bitter. It's even more socially acceptable to mock a failed passion.

I'm walking a broad circle around this, so let's close it up a bit.

Whatever excuse/reason you have for setbacks, and the way they can pile on so fast there's just enormous shock that isn't easy to climb back out of, you have to train your inner voice to mentor you out of the worst spots. Setbacks can enable you to push away accountability and actions rather than accept it as part of your unique learning process and own it. Going back to the business analogies, you'll hear people say 'my investors backed out' rather than 'due to decisions I made from inexperience, I wasn't able to keep my investors happy.' 

Your inner voice speaks for you. Don't take away your agency to act and correct setbacks by handing them the blame. Cause and effect isn't as simple as the right and wrong. The path of someone's success is not yours. You can adopt the risk involved with trying something that seems right for you, but not a guarantee that anything you do will yield good results.

In desperation, sometimes we think 'if only someone came along who sees how wonderful I am'. I've brought this up before, but that person is you. Another person isn't 'you' enough to really know your best interests. This doesn't mean you should look for emotional support or business collaborators, but it doesn't mean that those external forces should never replace your self-worth, self-confidence and fortitude to forge ahead when all else has abandoned you.

I know that the very common problem of depression and anxiety adds a different layer to matters of the self. It's an emotional override that sometimes sabotages reason and planning. This only means that you need to use your good days, however few and far between, to train your inner voice to override them in any way you can.

Even mentally healthy people fall into setback traps. Sometimes overconfidence makes failure hit that much harder.

Look--one day, you're on Cloud Nine; you're eating healthy, losing weight, mentally focused, have good relationships, love your job, etc. Things start to slip and maybe you eat more junk, gain weight, feel isolated and lose your job. Things fall into disrepair while you're over optimistically trying to tell yourself it will get better. You're not wrong, but you're also not really doing anything to correct it. You don't want to admit its probably depression or anxiety but months pass and it only gets worse.

Your inner voice isn't perfect. Optimism itself isn't harmful but it does need to be acted on. Hope can be a powerful tool, but at some point, hope means little if it doesn't motivate you to make the changes you need to make.

I'm not a self-help guru, so I can't assure you there's a perfect way to train your inner voice. It's mostly about acquiring micro-habits and learning mantras, little bits of wisdom, that spur you into action. Some will work every time, some need serious repair. It's akin to how some people snap rubber bands on their wrists to make cravings they want to kick develop a negative response.

I've exhausted my desire to keep on this topic, so why not plug in some updates?

Although I'm still not super-motivated myself at the moment, I've returned to poking at my book this week. I also ordered a test banner, one that I may use in future shows and conventions if I like how it turns out. I went with a polyester tapestry. I've always loved vinyl banners, but it's a costly option. I had a polyester tapestry hanging in my room for years and it may actually suit my brand. I've been looking for cost-effective options since I really want to put a lot into my booths. I've seen many an author or artist just sitting at a bare white table with nothing but a stack of business cards and their merchandise and they might as well be invisible. If I do this, I want it to be a real visual and hands-on infusion. It's extremely hard to be memorable at a show since there are so many amazing things on offer so there's no way I'm going with anything less than my best potential on display.

I hate to be a party-pooper but this weekend and the next will be stressful. Loud popping noises are extremely stressful for me and even more so when it's in the hands of amateurs who are drinking. Between the summer heat and the fireworks, I'm already both drained and nervous. I might not get much done, but it will pick up again later. For now, I'm just going to keep planning and plugging and building myself back up the best I can!

Sunday, June 2, 2019

Print-At-Home Business Cards and Editing

Fun stuff... But not really. Allergies, computer updates, restlessness. Despite uncooperative technology and drowsiness, I've at least managed to get a little done. I snatch up those little spots where I'm feeling better, but they're few for now. 

I bought the cheapest business card paper I could find, enough to print out 1000 business cards, but unfortunately, I got what I paid for. It's not as thin as printing paper but definitely not heavy card stock. The micro-perforation leaves messy edges. However, I feel like these are still sufficient as back-ups in a pinch. I'll definitely pay a printing company for better quality cards and likely use the nicer ones to hand out to people I talk to or sell something to. The color is nice and I like that it isn't a smooth paper, a little textured. I wanted it to have a sort of linen, book texture to it, so those still work for that.

I do know Avery's print costs are on the high side, but for what I want (either cream or ivory paper with a matte linen textured look), it's not going to be cheap anywhere. I feel like it's worth it, and then some, to go for what will make a custom design look its best. I'm not run-of-the-mill and I believe that anything worth having is worth paying more for. Not breaking the bank, of course, but cutting corners everywhere will leave people unimpressed.

Then there's the computer update part. One of those lovely updates that holds your computer hostage pre-boot. I have them turned off of Auto Update, but this means I have to manually check it when my computer is running suspiciously slow. Lo and behold, nearly every time, there's an impatient update making things gummy. So before I can hunker down for some reading and editing, have to wait that out. I mean, sure--I could sit on my desktop. Except the allergy part. Nauseous, watery eyes... I'm banking a lot of faith on autocorrect right now as it is. I don't dare risk the effort of sitting up distracting my work, especially when I'm doing it for someone else.

I have a feeling I'll nod off in the meantime. More energy for the task ahead though, if I do.

Just saying it made it harder to open my eyes after blinking. Well, I at least got to tell you the devil in cheap at-home projects and... The other stuff.

Yup, nap time...

Sunday, December 16, 2018

Short Stories and Shorter Stories

Even though I originally posted the news a couple weeks ago on my FaceBook page, I'm keenly aware that not everyone (meaning all but maybe two people) follows ALL of my outlets so I like to sprinkle the news over sci-fi-like timelines of no particular order.

Ever since the anthology, that saw published my first marketed short story, came out, I've been wondering what I might do with it after its one-year run is up. More short stories based on it? I thought of maybe making it a three-part story, coming it at a sort of 50-60K novella length. Which I might still spin-off the idea in the future, but I've always had the niggling urge to do a sort of sampler of my two published series but with wholly original entries.

Well, one night a couple of weeks ago, I'd sat down to do a quick outline of one of those spin-offs and within a handful (I'm ableist trash so that's five) of hours, I'd ended up with an almost 10K word draft for a The Truth about Heroes spin-off story. Whether you're new to the series or you've actually read it already, the story follows my star-crossed Bryfolk characters, Dinsch and Seles, and their rather unconventional love affair before they parted ways. (Think Song of Solomon, written by an atheist, and with all the juicy parts uncensored. Also, they're not married and it's not a happy ending.) Because it's a sort of prequel to where the books' events take place, the spoilers are actually few and may give you a different sort of appreciation than the reader that read them in a different order.

Either way, it inspired a new idea-- to maybe write some other spin-off stories for my adult collection. There will be triggering themes, but the playground is still in made-up worlds so it won't be my intent to include any current events parallels, just some nice adult fun. While some of my stories can be romance-centric, it's never the entire reason for the plots, every generic piece revolving around sex. In the same vein, there's plenty of sex. Why? Because I find there are powerful psychological motivations in even the most seemingly casual encounters and it's another layer to our growth as people.

And this coming from an asexual, in case you missed me saying that ever. Despite my own disinterest in a physical partner, I don't have trouble understanding, appreciating, and enjoying the intimate human connections and how they drive people. In the same way that I understand why people embrace religion, even being an atheist, it doesn't mean I don't have parallel drives to balance morals, observations, and moods just like anyone else. In fact, if there's anything I have difficulty understanding, it's how people can enjoy lying. I've never liked the taste of one myself. If I can't be honest, I shut the hell up.

Despite the stick-up-your-ass wannabe gatekeepers throwing sex into the category of literary trash though? Eh, fuck 'em. And fuck the people who are swear-Nazis while we're at it. The idea that I'm somehow simpler or baser or unsophisticated for 'going there' is ignorance. I deal with enough of that when people treat me like I'm retarded when they find out I'm high-functioning. At least until I'm dropping that knowledge. Sure, if I was some kid flexing my rebellious right to swear and fuck, I'll even agree it's tacky. It doesn't change the fact that many adults are capable of using adult themes to a story's advantage. I like to think I'm one of them, but those people will find any reason to be right so I'll let them gnaw on their wheat crackers and call it a cookie.

Ahem, anyways, I've mentioned the idea of UnNamed spin-offs before and I may pick a couple for this teaser anthology in the future. Insofar, the prevailing theme is just adult fantasy, so anyone who appreciates my mix of adult romance and far-reaching fantasy themes will be right at home with this one. If I have to cite any influences in this work, think of it in the vein of writers like Karen Marie Moning and Laurell K. Hamilton, only not so much only urban-ish fantasy since insofar, only Gretel's Gift flirts with real-world parallels. All the same, I'm a woman who likes deep and sexy and supernatural/mystical themes, so that's the nearest comparison I could throw at you.

Personally, I'm a fan of Moning's Fever series (even though her other titles fell flat for me) and Hamilton's Anita Blake series, though that one fell off after the fifth book for me. All the same, they use a lot of investigative themes, who-dunnits if you will, that also appeal to what I like to write, so that's where you'll see my influences. Other than that, compare at your leisure.

The biggest challenge in maintaining a blog is that they're absolutely nothing like what I enjoy as a novelist and it's harder than I make it look to figure out how much to talk about myself, how much to claim any proficiency, how closely I should bother sticking to a topic. I like the organic flow and the rambling here and there, if only because it's a departure from weaving words I care to edit over and over and over again before slapping a price on it.

I do delight in what I'm learning about short stories. I like the way it challenges me to get right down to the point, to cut that beginning, middle and end down from my usual epic build into a complete story that might tempt the reader to imagine beyond it on their own.

So far, I have Gretel's Gift and Drawn to Perfection. Haven't thought about working titles for the other possible stories, but I'm thinking of calling the anthology Sword Romance. No, I'm not; I'm just fucking with you. I really haven't thought of a cohesive title and won't until I've gotten all of them drafted at the very least.

You're welcome to use Sword Romance as your title. But seriously, it's super lame. Probably don't do that. Even if your Sword Romance becomes an international best seller, I'm just going to make fun of the title. Promise.

Saturday, December 15, 2018

'Tis the Season

I'm not really the sort of person that gets excited about holidays. That being said, I'm not the begrudging sort that will ever mumble things about them being commercialized, expensive, depressing, 'just another day' etc. either. I've had a few crappy holidays here and there, but I've never gotten to the point where I've ever felt like shaming people for enjoying them.

I do enjoy watching people open gifts I've gotten/made them. I love how excited kids get. Love doing the crafts. Ehhh, not a fan of Christmas music (I was a retail worker too long to get that excited about the month long 8-hour a day piping of the same 30 songs over and over).

What I enjoy now is the time I'm taking off writing and drawing to make Christmas presents. Of course, I'm daydreaming about going back to it and I still slip over to blog or edit a chapter here and there, doodle on the edge of a page--there really isn't a 'break' from that part of life, any more than I can avoid sleep when I really want to work.

There is also the daily workout of keeping an eye out for the packages coming and the possibility of porch pirates, the inevitable Grinches of the season. Fuck those guys in the ass with razor-sharp candy canes. Yet I'm on those notifications and the sound of every vehicle that comes down the street and, hey, it's only for the next week, so I got this.

No Christmas tree this year. Not a sacrifice, though, since having two rambunctious kittens instead is always better. We do have decorations up on shelves they can't get to. We've been doing Christmas crafts and chocolate advent calendars and hot chocolate, so it's plenty festive. Enjoyable, to say the least.

While I'm not the sort to find some inner pool of excitement for holidays, I find that I often enjoy them based on the moods of people around me. When the kids are excited and the sentiment is genuine, I definitely get into it more. The people who are genuinely grateful for the things I make them continuously end up on my list. Hats are usually the quickest make but we're still looking at AT LEAST 4-6 hours of my time on simple hats, with any kind of off-pattern make taking several days. There has to at least be an excited thank-you in the return or it's deflating to have spent the precious time in making it.

On that note, this is why I don't bother with the business side of it anymore. On occasion, I have a couple of regulars that are happy to pay me fair wages for that effort. On occasion, I even gift to them, free of charge, as a thank-you for supporting me as an artist. However, for most people, I do write patterns and encourage them to learn how to make them for themselves. I definitely do not tolerate being told I'm too expensive. Hop on over to Etsy and see where I'm getting my prices. Considering I usually run my estimates right in the middle of the ranges, my quotes were always generous. Why? Because I'm an expert. No, really. I can admit there are some Russian ladies that free-form most of us to shame, but my custom work is original and a work of art so I have always earned the right to charge for materials, time and labor.

Unfortunately, it is also mostly a hobby now. While my art and writing are always competing for my professional attention, crochet isn't something that takes a top spot in competing with that time. I still have yet to figure out how to squeeze in marketing, but make no mistake, I do seriously monetize my work because I take pride in it. I won't undercut or water down a market for a quick buck so I always deeply consider market value in my decisions.

Well, I didn't mean to stray in that direction, but you know, 'tis the season. All four of them. Because you have to know that the creative brain, while also focused, is a ride that jumps the tracks and flies where it will. I don't monetize my blog so you're definitely always going to get what you pay for.

And then some, because I'm a giver.

Tuesday, November 13, 2018

Boo, Sick...

Still a bit too dizzy to stick around to write very much, but I caught the nasty cold that's been going around my area. This is precisely the reason I was writing so much for NaNo to begin with-- I knew I might need the leeway for just such an obstacle. I might be another day or two off with frequent posting and I do want to discuss the latest Pep Talk in the NaNo mail when I get the chance. There should be the usual two-a-week scheduled posts coming up though (I wrote enough to fill November anyway). 

Can't wait to get back to writing though. It never fails that the brain is always most active when you can't really do much about it. On the upside, I'll have total balloon-head, which is the end part of a cold where I'm really giddy and oddly focused, so I'm looking forward to bringing that to drafting.

Wednesday, October 24, 2018

Cats, Coffee and Halloween

Saturday night, we finally caved to having furbabies in the house again. After losing my dog and cat a few years ago, I just couldn't get over the feeling that getting another pet was replacing them. My sister's cat had a couple of kittens that finally reached weaning stages, so now we have She-Ra and Seven. It's nice to have cats in the house again. They adjusted pretty quickly and they do bring cheer to the house so it was time.

Onto the coffee...

You might also know I got a coffee brewer for my birthday and have since enjoyed the wonderful world of mass brewing, travel mug and K-cup coffee since. My dad's ex-wife, a sweet woman named Carole who told me I've always been the daughter she wish she had, had a bunch of K-Cup coffee in different flavors and types that she sent home with my dad. Not just coffee but cappuccino and lattes-- mocha, peppermint and my favorite, hazelnut. The bottom shelf of one cabinet is now completely my teas, drink mixes, and coffees and that also makes this girl over the moon.

As for Halloween, that's a week away, folks! I've done two of the four planned covers and it's highly likely I'll finish the other two this week as well. They're absolutely beautiful. For the first one, I went half and half, blending a photo with digital painting, but it made me confident enough to just source a photo and paint independently. I went with a simple stock texture background that will just change colors over the series and then each front and back cover will contain half a face with a solid spine between them. There will also be an object behind the title, something in theme with the book (there's a dagger on the first and a lute on the second, but haven't decided on the other two yet). Because I scrapped the original covers that I hadn't really planned, I do plan on posting the cover drawing I'm not using for UnSung sometime prior to its release. It's done in more of a comic style whereas I used more realism for the current ones. I'm very proud of these so far so it will be difficult not to share them right away.

In any case, proceeds for The Magical Book of Wands will be donated to the American Library Association. Preorder this anthology, that I am proud to be a part of, before its Halloween release and help us fight to keep public libraries available. Libraries aren't just for readers. They also provide valuable community services like free internet and children's programs. Authors will not be taking any proceeds so if you still wish to support us, follow our links provided after our stories to find our work or find us on Patreon.

https://www.amazon.com/gp/product/B07H7T24SG

That wraps things up for now. It'll be back to digital painting, scrambling to finish what I can prior to NaNoWriMo and maybe doing some diamond painting. Holy hell, the diamond chips are tiny. I've never done this before and they're definitely smaller than even my Mini perler beads, so there will probably be a lot of swearing. Wish me luck!

Monday, October 15, 2018

Nothing But Net!

If only I could always be so productive...

After one helluva crunch weekend, the first draft of UnSung is done, done, donnnnnnne. What does this mean? There are a couple places where I need to amend scenes and add some plot details, which may boost the word count (which currently sits at the 234.3K word count mark), but there's no more guesswork, only refinement to do.

Since the epilogue always leads into the next book, I've also warmed up the characters leading into UnHeard, my NaNo novel for next month.

The edit for UnSung will wait. For the rest of the month? Cover art! I've staged the foreground layers for painting, just need to get it done. I will be redoing UnNamed's cover to fit the new convention. In the future, when I start new series, I'll be planning themes in advance. I didn't do this for UnNamed because I only decided to make it an UnQuadrilogy at the last minute. One of these days, I'm sure I'll be able to do a standalone novel but fantasy is just too tempting for the serials.

Piscine, one of my many plotted projects in wait, will be a sci-fi mystery thriller. It is definitely planned as a standalone yet since it could very well become serial, even that is one I'll plan a cover for that could carry on a theme.

The Dreampunk Chronicles, a Steampunk YA project, will definitely be serialized. I use both real world places and surreal fantasy destinations there so the possibilities will extend as far as I dare. I am still planning to write one of these following NaNoWriMo, but... After I set up UnSung for publishing and UnNamed for republishing (just a new cover). 

For those that bought the first edition, I may try to get some posters printed of the new cover to you, signed and sent free of charge as thanks for early adoption. I'll have to look at expenses but I really want to look at swag, convention booth options and so on for the coming year regardless.

Yes, the webcomic is another script I play with. With the way things are planned already, that's looking at a Fall 2019 slot at the soonest. I should have the first Dreampunk and UnHeard at least drafted by then. More details on those at a later date since I'm planning too far ahead already to nail down dates.

In the foreseeable future, Virtual FantasyCon is right around the corner, November 4-10. VFC Reader's Corner is a group you can join for the details. Remember, The Magical Book of Wands is up for preorder on Amazon. It's a great mix of fantasy short stories (I had the chance to read it this past weekend) and it's worth a read! Historical, urban, dark, traditional-- whatever your fantasy tastes, there's something for everyone. 

Here's hoping 2019 is an amazing year! 2017-18 were full of great learning experience, ups and downs aplenty, so I'm going into in with the same blend of optimism and cynicism that keeps me afloat. Thanks for hitching along!

Friday, October 12, 2018

Just Stuff

Cold weather is finally here and if you know me, I'm as psyched as the people who like hot weather (and probably enjoy those same people whining about how cold it is). Right now, I kind of just want to sleep under the warm fluffy blankets I dug out to celebrate and breathe in the ice cold air pouring into my window. No fans, no heaters, just silence to enjoy or fill with purposeful noise.

Of course, there's a cutoff. Once the cold dips towards freezing, I close windows. Once it dips into the 20s, I pull out the space heater (if my fingers and nose are icy). Yet, my favorite wardrobe comes out-- giant sweaters, fleece pajama pants, crocheted hats, fluffy socks. Things that aren't comfortable to wear unless the air is genuinely chilled. Even a cranked AC can't quite create the same environment a legitimate fall/winter permeating chill can.

Sometimes it can spark health issues, but for the most part, it's ripe for crochet, reading, writing, hot drinks and wholesome food holidays. I even met my weekly writing goal towards UnSung this week so I can hibernate and huddle up and plot if I want. (Getting so close to the end, but I'm really trying to tie up plots in the draft rather than throwing it together and dealing with an editing mess.) Still have cover art to do, still have NaNo prep underway, still have holidays to squeeze in so my loved ones don't think I'm losing functioning status on the social spectrum. Kingdom Hearts 3 will steal my soul in January and maybe Dragon Quest XI which I've been meaning to play, but haven't gotten yet.

Priorities still point to writing. Aside from the daily grind of feeding little people, keeping the house clean, and maybe some tablet gaming while nodding off at the end of the day, the usual juggling became more concentrated. At the least, I want UnSung's draft done. It will get put aside after that. I won't edit it again until December and not just because of NaNo. I really want to kick some dirt over it and look at it with fresh eyes. While starting its sequel for NaNo, things might shift even. So I'm looking at a 2019 release after all. I really want to avoid rushing things even if it means pushing them around a bit. It will be worth it to be more flexible in plans to get them just right.

That being said, time to enjoy this chilly weekend, however I use it. About to make some hot tea to start. Oolong, if you want to know. Here's to a productive winter season. Buh-bye, bugs, sweat, sun rashes! Hello, wonderful smell of dying leaves, fire pits and seeing my breath when I breathe!

Wednesday, September 12, 2018

Bras Don't Prevent Sagging Breasts and Other Reasons Why You Should Always Research What You Think You Know

Funny the things that inspire a bit of thinking... Hey, did you know that bras have never been about long-term preservation of breast shape and defying gravity? However, the study that actually asserts that bras can actually make the ligaments that hold up breast tissue 'lazy' is not as nearly as old as the bra, even fairly new. Like 15 years leading up to the study's conclusion in 2013 new. (LINK) If you hop around, studies tend to offer one exception-- supportive sports bras. Yes, bouncing while exercising actually CAN be detrimental (and painful). Personally, I stopped buying vanity bras many, many years ago and actually wear padded t-shirt type lounge bras all day and night long. This is more about preventing 'headlights' and assuring comfort, but the issues like back pain and sagging actually seemed to self-correct since. However, one of the reasons women gave me for getting a bra the moment my board-flatness became bountiful was to prevent sagging.

Precisely why everything you're SO sure about probably needs to be fine-tuned more often. 

Women's anatomy has faced a lot of confusion over the years. I can't say for certain modern schools are correcting this, but I remember my health class made it clear that the hole at the head of a penis routed both urine and semen. Sex education seemed to gloss over anything more than the basic sexual organs so we learned words like vulva, cervix and uterus, but not that we don't at all pee from the same hole we pop babies out of. Women find this out the hard way. It's not always when we first start out period either. Many girls start with pads because tampons seem terrifying (even once they've had sex-- a dry tampon is never painless to remove). In fact, it became clear several years after I started my period that they weren't that close at all-- when I peed on my hand a little trying a tampon. I don't mean to be too crude here, but women kind of have an 'aha' moment about their bodies that men don't have the benefit of. Men married for 30 years, quite familiar with their wife's parts, sometimes don't know this. Hell, some women probably don't really think about it-- at least until they have to have a catheter inserted or some other revelation of the actual location. (For a hilarious example of this, Orange is the New Black has an episode where the trans-woman character has an entire prison full of women using hand mirrors to prove it.) Vaginas themselves aren't really that sensitive (again, to my knowledge). I can pick up things like pressure, but the only thing even remotely sensitive is the clitoris. It's actually a combination of internal pressure and clitoral stimulation that leads to orgasm. Again, for some women-- sorry, we're just not all in the same category here either. Some women get nothing out of penetration and only rise to clitoral stimulation and vice versa. This is why some swear foreplay is better than intercourse.

I've probably lost some of the men with this one, but if you're still with me, it's actually important that I used examples involved something I actually have personal knowledge with. We don't actually talk about many of these things; not because women's bodies are 'shameful' (I really wish extremist feminists would choke on a dick every time they try this argument) but because often, we feel fucking stupid that we didn't realize it sooner. Why anatomy classes and sex education classes haven't decided where a woman's pee hole (and I shit you not, this is medically accepted terminology even) fits on the curriculum is beyond me, but nevertheless...

You don't know what you think you know about most things.

This goes for that degree you earned. Technology, medical, law, art, information-- it ALL changes. This is why many legitimate colleges often offer supplemental courses for life. So when a new program, a new law, a new medical condition comes along, your expertise doesn't rely a 20 year old education that is sometimes dangerously obsolete. This is why certain professions do keep active databases to consult for every case, every diagnosis. One missed symptom could lead to a deadly diagnosis. Let's not be over-dramatic here and wind it back down. Even as an artist or a writer, you don't want to fall behind on digital technology. Even if you use a traditional medium, it's imperative you learn how to digitally capture it best to take advantage of presenting it on social media or websites to attract buyers and fans.

Your stories are not less affected, writers. Even when you write fantasy, it's not really the easy way out to construct a world from scratch. It should be easy to just look up historical facts for your medieval fantasy and take them for rote because history doesn't change, right? Nope, sorry-- even dinosaurs are getting more entries in terms of subspecies and discoveries. It's also just as likely that a certain weapon or tools actual uses might have been given an educated guess-- at least until Bob the Butcher's leather-bound diary is found on his excavated body, revealing some actual uses even experts didn't foresee.

Knowledge can often give us a sense of ego, especially when we tend to know more than most people. Attaching 'expert' or 'master' to our name doesn't not make us the last word either. If we understand the weight and responsibility of knowledge, then we should always be suspicious of how it is spun or even how we spin it in presentation. Even when it makes perfect sense, we should always check for ourselves. Beware of bias, beware of ego, beware of that little trick the brain like to play on everyone-- filling in the blanks to bury the fear of the unknown.

Embrace the doubt of what you might not know. Check again when your ego seems oh-so-certain even. There's really no shelf-life or acceptable age for knowing what questions to ask. The internet now gives you a place to quietly feel stupid and educate yourself. Even the most intelligent of our species sometimes took a few thousand years to even think to ask certain questions, let alone answer them. Factors like religion, culture and society even buried some of them on purpose. Curiosity, historically, killed a whole lot of inquisitive kitties. New studies will disprove old studies and old studies will actually be found to be correct with the new study being fudged so the claimant could make a name for themselves (if you wonder why brain-dead anti-vaxxers exist, it's because of this. LINK). And no, you don't get to pull Darwinism's natural selection against babies and kids with auto-immune disorders if you're a fucking Creationist.

It's okay to carry biases, to write with biases (in fiction, especially), but at least be self-aware. There are times where cherry-picking is actually about separating the wheat from the chaff, but there are also cherry-pickers that are goblins against reason and progress. When you hear people vilifying vaccines for trace amounts of poisons, they will absolutely refuse to acknowledge there are trace amounts of cyanide in apple seeds, that any damn thing you consume could kill you if you consume enough of it. However, in certain doses, they are also helpful, even life-saving. You often get debates where they ask you for sources-- not so they can change their mind but so that your endless search for verified sources will wear you out enough that you realize it's a waste of time and give up. This is how keyboard-warriors 'win.' They don't actually need intelligence or proof-- they just need you to realize that you have better things to do in life than suffer fools.

Back to my fantasy peops, I hear ya when ya say 'it's fantasy; there are no rules.' You're almost right, but it isn't that there aren't any rules, it's just that it's your burden to explain them if you're suspending belief. I agree that fantasy is where you can rewrite society, create utopias and dystopias, and so on, but it is actually difficult to make this work if you're not making sure all the characters and plots uphold rules that probably don't come as naturally to you as you think. You'll slip into what does come naturally and realize you've destroyed entire chapters by traveling down a contradictory road, every piece after supporting the exact opposite intent. Our genre isn't as easy as it's made out to be (nor as complex as some writers have tried to make it-- not all fantasy requires companion glossaries).

In my previous post, I talked about planning. If you want complex ideas to translate well, you might spend a LOT of time researching and creating a strong web of seamless logic. However, one of the reasons we turn to beta readers is because we're not always flawlessly capable of knowing which questions to ask sometimes. We're so immersed in this rich landscape of details that it's stupidly easy to forget our left-handed swordshuman appears to be ambidextrous when they are just as good with their right. (I almost typed 'he is just as good'-- unconscious defaulting that was caught this time, but next time...) (Side note: If you have a swordshuman and it's not said in comedy, fuck your story. Chances are your shit is FILLED with virtue signaling of the PC variety.)

Strong opinions, strong language, are just that. They empower some and are distasteful to others. In my experience, market research is very nearly pointless. Safe stories just don't appeal to some people, edgy ones come off as trying too hard for others. Self-awareness, again, gives you some idea of the types of people who will like your story and the ones that won't. I've been in so many groups where egos set out to squash your ideas with yellow language like 'I don't see why anyone would like this idea in a book.' You know, as much as I loathe PC bullshit, there are plenty of people who are gasping to keep it alive too. I don't have to like it-- it's there whether I do or don't. Logic doesn't support the market, not really. It's WHY psychology fascinates me. There seems to be no bottom, no destination for what people are capable of. Studying it makes it conscious why I don't like certain people and am drawn to others. It also helped me understand why I tend to attract psychopaths (but how I learned to make them bored with me).

The more abyssal the research, the more tempting; I truly believe that. At some point, your deep dark rabbit holes will be the sort of obsession that people will try to shame you for or tell you it's useless. Some people dedicate their entire lives to research that which they are never credited for until their work is passed on and completed well beyond their years. It's easy to think of it as tragic... but never pity the ones who embrace their purpose. Lack of faith is pitiable to them. There is nothing harder or more satisfying than latching onto that purpose. People with a purpose, they'll stop arguing sanity with everyone. They won't suffer others to wear them down. They'll even tell you you've won if it will shut you up.

--------------

UPDATES: my laptop charger came in the mail and I couldn't be more psyched that I have my laptop working again! This is why my posting speed didn't taper off TOO much from the daily. I was aching to get back to typing and scheduled posts like crazy.

There was beginner's angst, just what I was afraid of. I stared at my laptop like it might bite me. So I couldn't just dive right back into UnSung. Instead, while making sure my backed up files were up to date, I came upon my script for the webcomic. Ended up spending a few solid hours writing up some more episodes. In truth, I want to plan about 20 episodes before I set out to draw it. I'm up to about 10.5 episodes.

What else? I opened some templates and set out creating color palettes for the UnQuadrilogy covers. I decided on a cohesive theme to extend across the series. As much as I love the original UnNamed cover, it doesn't quite carry over in theme. I'm going to try a very different style than my usual comic style, but it's important to me to show off my flexibility in design and mood.

So September... I wasn't expecting to get my charger so soon, so it gives me a couple of weeks' boost actually! I've decided that UnSung Part III and other writing projects are going to get a solid binge in the next two weeks. The planning gave me so much momentum, it might go quicker than expected.

October will definitely include prepping for NaNoWriMo and making sure I market the anthology. I actually want to focus on art here though. My writing got a longer run than planned and I want to hunker down on those UnQuad covers. I do want to try to cram as many of my big projects' needs into the next seven weeks as possible so I can crack down on NaNoWriMo in November.

November is the No is NaNoWriMo. First and only focus... 'Nuff said.

December-- what I call PeEdDiMo. Please don't coin that, no matter how much it makes you laugh. Personal Editing Disaster Month. I'll edit my NaNo mess, UnSung's draft and whatever other carelessly written messes I end up with. It's... not really as bad as it sounds. I'm an eager masochist when it comes to editing. It's not exactly easier now that I have great methods to streamline it, but it's massively satisfying to be done with it because of what a pain in the ass it is. Give it a good spanking and it's all goosebumps and tingling, not welts and bruises. 😉

Future updates will probably just explain what actually happened. Heh. Sometimes I wander from intent. Not a bad thing. It really just ends up meaning the priorities are spread out between things differently. I might not have gotten as far as I hoped with x project, but projects a, b, and c might have gained from it.

Thursday, August 23, 2018

The Struggle

Old Me might have panicked immediately when my laptop charger died. New Me was disappointed but determined. I'll be without a laptop for a while but I planned my dedication to writing and being broke for just this sort of inevitability. Solution? Bluetooth Apple keyboard + iPad mini and Word app= temporary writing get-up. It does mean UnSung will slow down, but I'm in a planning phase with it anyway. 

I figured it's time to set down some more work on the Dreampunk Chronicles, the YA Steampunk Fantasy involving two young women desperate to find the reason behind their unique ability to travel between worlds, one of my Word-friendly files. 

It'll take some time to save for a new charger (and fish food and a printer cable). Kind of a stretch but if anyone wants to purchase anything I've crocheted, drop me an email and I can link you with pics of what I have for sale and we can negotiate a price (shipping alone is $5-7 through USPS these days, so keep that in mind).

Either way, there's always gift card surveys! And I always have workarounds and other projects. I'm still not excited about the prospect of aggressive book marketing when I have so much I want to finish first. When I'm not writing, I still like poking at concept sketches for Rock My World. It's a setback, not a roadblock.

It's been a sort of sluggish week though. The passing of a girl I grew up with, one of my earliest friends, has left me glum. I didn't know her very well over the years, mostly just kept connected through social media, but she was a great person and the world has too few. I'm not immobile, but then I'm no stranger to grief and am versed in mobility being crucial to healing.

I'm hoping to pull together some more upbeat posts. Sometimes a contrast to a mood is the medicine you need.

Wednesday, July 11, 2018

Today is the Greatest... (Don't Sue Me, Billy Corgan...)

Yes, I'm a huge fan of Smashing Pumpkins. When CDs became a thing, my very first CD purchase was the SP Adore album. After seeing him on one of those late night shows as a musical act (probably one of the Jimmy shows), I can say for certain the man still has a voice that gives me tingles.

NO! That's not what I'm here for! The ultimate milestone is finally here and I'm gloating! My first nine book series is published in completion... or is it? Technically, yes. I have a couple of possible spin-off ideas for it, but I've wanted to tuck this one under my belt so I could move onto other series and ideas and genres.

Let me give you a sexy little roster of my published works:
  1. The Truth about Heroes: One of Many
  2. The Truth about Heroes: Two Sides to Everything
  3. The Truth about Heroes: Menage a Trois
  4. A World Reborn: Children of Heroes
  5. A World Reborn: Higher Reasoning
  6. A World Reborn: Deicide
  7. Each Endless Universe: Close Encounters
  8. Each Endless Universe: Dual Decisions
  9. Each Endless Universe: Original Sin
  10. UnNamed
Heh. Poor UnNamed, all alone down there... Not for long, since UnSung is in the making and even its two sequels are in planning. Hey, how about a quick look at some future projects in the Bingo ball machine while we're here...
  • UnSung (UnQuadrilogy, Book 2) (adult epic fantasy)
  • UnHeard (UnQuadrilogy, Book 3) (adult epic fantasy)
  • UnVeiled (UnQuadrilogy, Book 4) (adult epic fantasy)
  • Dreampunk Chronicles 1: Through the Golden Doors (YA steampunk fantasy)
  • Piscine (Sci-fi Crime Thriller)
  • Rock My World (webcomic) (sci-fi romance)
Now, those are the ones I feel okay with confirming, each either in advanced planning or a few chapters set up at least. I do have a romance novel idea I'm tossing around as well as a non-fiction idea on the joys and discipline of drawing. I'm actually going to start working on the YA fantasy book next. It will be shorter and kid-friendly, a very different challenge from UnSung, which is an important draw in writing for me-- don't stay comfortable in any one place. I came into this wanting to try anything and everything and test myself. As long as I'm relatively obscure, I can just keep sneakily building my library with whatever I wish, see which ones build momentum. I'm also very careful to choose genres and ideas that I would not hate to keep writing. While I would certainly take a demand into concern, I also have no intention of pandering to one. Having the freedom to work and grow while making it available for public consumption and support is a nice balance.

UnSung will be a work in progress for the next few months yet. I have yet to draft the third part and epilogue and even once they're written, I will attempt to pull in some beta readers and run many edits regardless of how beta reading goes. I'd love to get some eyes on it, but I also don't intend to hold it hostage. As I've said, where I am now, I have no intention of growing stagnant. As long as the ideas keep coming, I'm going to keep moving forward. One of the advantages to living in these times is that we don't have to sit and wait for approval to keep running along the path to growth. I'm not a traditional girl and I won't wait for traditional means. It's just not happening and it doesn't have to.

Don't let gatekeepers stand in the way of your ambitions. Gatekeepers don't mean that your work is ironclad or guaranteed or even that your job is easier. It's not. There are many people who see traditional publishing as appealing because of the amount of work they don't have to do. Whatever your ambitions, bask in the fact that you have options suited to your vision. I'm sure you've seen these before, but there's no shortcut to a masterpiece any way you go. You can count on only ever being able to pick two...

It's not a hard rule for every type of creative pursuit, mind you, and when you're the only one involved you can usually tell yourself you can be all three. However, any outside help you get, it's realistic to expect it to fall under this rule.

Damn it, I just can't avoid the creep into advice mode...

CELEBRATE, YOU WORKAHOLIC, YOU!

In any case, another birthday, but these milestones are a rare beauty indeed. Want to give me a cheap birthday gift? Grab one of my ebooks or two, write a review (and no, I'm not going to act as if the world has ended if you don't like it either-- my career aspirations aren't nearly that fragile).

And look forward to more work ahead!

Tuesday, July 10, 2018

Double-Posting! I Have To!

On the eve of the numerical anniversary of my date of birth (=birthday eve), I have to admit, I couldn't do it. I could not continue this farce of relaxation when the muse has demanded my suffering.

Over-dramatic, I know, but I pounded out a few thousand words towards the baby fresh third part of my book and I regret nothing. I suck at relaxing and even if people were just flocking to kidnap me, it wouldn't have made a difference. After a great idea smacked me in the face, I was just way too eager to run with it, eager to see how I could make it unfold in the continuance of the story.

I definitely plan to be in the moment while I visit friends and family tomorrow, but that was all the more reason to succumb to the muse and get some serious writing done. Drafting isn't always such a breezy process, but I was simultaneously editing the shaky beginning and moving on at a pace that was almost inhuman, a feeling both like addiction and so much better for the lack of bad side effects and 'coming down' (although, my back is a little cranky from engaging in a bit of bad posture).

It was a great day. I can always use those. Watching stories grow is a thing of beauty. Taking the reins is a feeling like no other. Sure, sometimes characters end up swerving in directions of their own, but it's an organic and chaotic thing to head-hop and never gets effortless to nail down, even for someone who lives with a butterfly brain. 

I've chased enough butterflies on Skyrim to be completely sure that's the perfect analogy. I thought about Pokemon but it's more like having no Pokeballs. You're just clicking wildly in the general area until you get a... shiny pair of butterfly wings. (Don't worry, butterfly, you're just a caterpillar again...)

I should probably sleep now.

Wednesday, July 4, 2018

It Be the Time of the Updates!

Mentioned this before, but because of the plots in my current WIP, I've had to run at least cursory factual edits following each Part of this projected three-part book. I roughly knew what each part would entail from the onset, but even with planning, I kept a pantser mentality-- which often meant fiddling with details that I liked better as the ideas presented themselves along the way.

That being said, yesterday, I finished the run-through on Parts I and II, where I'm currently drafted to. I'm not planning on jumping right back into writing so I'll be taking a short "break" of indeterminate length. I took some great notes to look out for when I'm starting up this conclusive third part, but there are a few parts I had to mark because they were based on my memory of events in UnNamed. I do not trust my memory to be 100% so I'm going to be reading UnNamed before going back into my third draft. 

Why? Well, I published UnNamed back in February (on my mother's birthday to be exact) and it's July. In those five months, I did about 6 or 7 book covers projects, some odd number of art projects besides that-- juggling those things made it necessary to reread much of UnSung's progress even, just to be sure I was still recalling events as well as the characters would (or rather better, because I'm pretty much the Almighty of Almighties where their development is concerned). Sometimes even notes miss out on the subtleties and it's completely useless to try to create emotional or dialogue shortcut devices or notes. You have to creep over those moments in the raw, test them over and over fully, to see if they're still working for the story.

In any case, UnSung Part 3 drafting will be my next hunker-down project. In the interim, I'm going to play peasant/house-elf and get some cleaning and organizing done. The subsequent scheduled post, another cover reveal, ought to tell you why. If you didn't get to it, my birthday and the release of the final(?) book in my first series coincide a week from today and not only do I intend to enjoy the week ahead fully, but I intend to jump into more summer project fun without having any excuse for distraction. Fully cleaned fish tank, dusting, vacuuming, the Wiping of the Surfaces, making sure all things I will need for my projects are readily accessible (notebooks, clean fast computer, pencils, pens, drawing tablets-- you know, my tools of the trade).

Rituals can be cathartic towards the anxiety of beginning new things. Or, continuing old things, which is what I remind myself if I get the beginner jitters. I call it Domestic Tetris, the stacking, organizing, brain-engaging act that doesn't separate me from the Plotting Tetris I'm lining up for. Because, let's face it, a very involved process can leave us a little forgetful for the domestic parts of life. You just don't really notice those dishes or clothes piling up with your heads engaged elsewhere. 

Not that it ever gets terrible. Keep in mind, I'm raising two boys so there's only so much I can get away with falling into any task uninterrupted. They're old enough now that they actually get what goes into my work and they're mostly very considerate of giving me ample time to do it. They're still kids though and they need things and in truth, I like the time they want to spend with me too. Just as much as wanting to know when they're hungry or sick or need help, I also want to hear what they think about and are interested in. Many times, they've inspired my own ideas in some way too.

Leaving the post at that. Finished one thing, taking a break to better tackle the next things ahead. I do have some short comic ideas in my head and the web comic idea still nagging for my attention, so I might do a bit of that here and there too. Really no use making plans where I'm concerned. Creatively, either I'm in or I'm out and there's not really much compromise when it comes to my attention. I can force it a bit, but as a rule, if I can't get my head in it within 15 minutes, I'm just wasting my time. I'm more likely to sabotage my own work and end up running some frustrating damage control. So it will be what it will be and hopefully, I can share some more interesting work with you once I've latched on enough to bring something to completion. Having a great track record with it so far.

Cover Reveal + Milestone Achieved!

The ninth and final book cover, finally done for Each Endless Universe: Original Sin coming on July 11th, features the lovely, deadly Baelle.

I didn't screen shot many of these since I did her fairly quickly and didn't stop much to remember to take them. Nevertheless, here they are!
Start with the mannequin...
Add a little shading...
Some funky guidelines...
Clothes and the beginning of shading...
Some blending...
POOF! Magic!
It's a girl! And also a bear... Was a bear, anyway. Now it's a cloak.

Phew, I really enjoyed the whole process, but alas, it is time to crown it and move on to the next great project. I hope you enjoyed taking the journey with me! I certainly enjoyed all of this 'leaving my comfort zone.'

So here is where I continue cracking down on UnSung, although this summer, I also plan on working on some other neglected skills and playing around the web comic idea for Rock My World. I always like to take advantage of higher summer energy levels to diversify my talents a bit. Don't worry; anything blog worthy will get some features along the way as usual. This isn't just about me but what those experiences might contribute to helping other writers and artists take meaningful steps towards following their own dreams.

I do have UnSung's cover done, but I'm keeping that under wraps until about a week prior to when I set up the release as I did for these. As I've said before, UnSung is a whopper of a book, the first part topping the 80K word mark with the two other parts and the epilogue awaiting a draft. It's very likely to be three books in one for all I have planned for it. However, this is a very pivotal part of the story; where UnNamed scratched the veneer, UnSung plunges into the world headfirst. Since I can't really plan the size until the draft gives me more insight, the other two may be wholly different.

So, more to come, time willing; thanks again for all of the support and encouragement! I can only hope I'm giving as well as I get.





Wednesday, June 27, 2018

Update! And Some Thoughts

While I've gotten into the habit of spreading out posts that don't have updates with the scheduling option (rather than spamming my followers with those three-post days), this one will scrape over my current moods and work for a change.

First off, the hard facts/goals of the week:
*UnSung Part 1 draft edit complete: was re-edited to reflect some ideas I came up with in Part 2.
*UnSung Part 2 first edit in progress: hoping to complete this within a few days but that may extend.
*UnOfficial Mascot drawing: I don't normally do the mascot thing, but I have a rather precocious animal character that would be awesome to draw.
*Screenplay edit: I don't disclose details on these, but needless to say, I love reading Antonio's work and it will be a pleasure to comb through another.
*Sleep (optional): whenever the excitement leads to unconsciousness

I've truly been enjoying the whole process of editing for UnSung this time around and that's not something I say often. The first book of the series was a departure from the long-running first series I did, so it was daunting to start again and I wrestled with UnNamed a lot before I started to really feel this world out. The second book became absolutely massive in my head, something that grew when I was devoting my time to making the covers for the first series. Drafting it was both exciting and terrifying because I had to peel through a lot of notes, a lot of plots, to make it a smooth read, each plot feeding into another without confusing myself or a potential reader.

When re-reading it, I was actually sliding through it with little difficulty. I knew there would be a couple of ideas that changed because of Part 2's plots, some conversations to refine and, of course, to make sure what the characters knew stayed consistent with their approach and attitude. Like I did with my first series, I'm working on a character profile post for UnNamed and UnSung. I didn't keep a ton of character notes this time around because I didn't strictly control the readers' impressions of them so things like hair and eye color weren't always clear. I became aware of (as my Quora rebuttal post went into) a tendency to dictate too much about a character as if you were seeing them in a game or movie. 

While it didn't ruin the stories the way I approached this, I did challenge myself to remove the 'romance novel' approach to describing a character head to toe. I've seen enough people in writing groups laboring to describe ombre hairstyles and a character's eye color to know that this can absolutely go from general description to tedious word masturbation best left to creative writing exercises, not novels. It's generally not a good idea to go out of your way to fixate on looks unless you want the reader to be distracted by them or they have some REAL relevance to the story. It's one thing if you want to drop that a mermaid has ombre-violet hair, but describing the cut and curl could be put off until she's twirling a lock of it later if at all. If, and I emphasize IF, it becomes an important detail later, then you can edit it in, but I'd still caution anyone as to where that introduction sits. I find it more fun to read (and write!) when the looks are a subtle tell that don't zip right to how easy it is to describe a gorgeous or repulsive person. When I force myself not to make a subjective judgement, to let the environment react to them (or ack! don't have them describe themselves in a mirror) then I'm offering the bias to the reader, giving them just enough freedom to decide but taking on the burden of pace, storytelling, world building. Give a reader too much homework and you might as well hand them a book of Mad Libs.

Then again, even when a character is beautiful or repulsive in my mind, I still want the emphasis to be on their characters, actions, and emotions. The most alluring or sexy characters, to me, are the ones that don't have to beat you over the face with it. I'm more likely to create fantasies about characters that make me laugh or think, not remind me of their physical features.

So, a little bit to roll around there, but I'm due for a nap. On the personal side of life, we have a lot of mangos in the refrigerator. This is what happens when I tell my dad the boys love mangos. They, however, are completely thrilled about mango smoothies for breakfast every morning. And yes, my excitement for my work is rubbing off on them and they love sharing their ideas with me. The younger nephew, Marcus, started reading my work over my shoulder while editing one day. A kid-friendly part, but not one I thought he'd get into. I read some more of it out loud to him and when I finished the scene, he surprised me by saying he'd love to read more. 

Unfortunately, it's just not kid-friendly, so it's really making me think I want to work on my YA book so my nephews and my friends' kids can read my work. It's an idea I'm no less passionate about (based on dreams I've had since I was a teenager), I just didn't realized UnNamed would grow beyond a single novel until I was nearing the end of the draft and organized a grand plan. When I say I want to write for kids, I don't mean in a cop-out fashion either. Some aspects of human intimacy, violence and life in general are still approachable and I don't think you dumb it down just because you write for a younger audience. I do tend to soften the language and cut out the graphic nature a bit, but the dreams I had were between two best friends who travel the world and beyond, into these surreal pockets that don't need darkness, grit, or 'realism.' The challenge of writing for pre-adults is to trust their imagination more because the insights and depths that adults tend to enjoy just don't interest some of the younger ones.

Sunday, May 27, 2018

Happy Dance/ Beta Reorganization

Because blogging is bipolar, we're shifting to the fully positive, almost sickeningly enthusiastic side of things.

First and foremost, a happy dance is in order. After my previous confession of needing to muster up the troops and get to some serious outlining, I am almost completely unable to stop attacking my current book with an ever-increasing word count. I not only put a 14K ring on Part II, but I've seen its transition into Part III. My muse has this unwritten rule, mind you: Write out of order or she'll be out of order faster than a vending machine at the bowling alley or the men's room at a dive bar. So I set out to spot edit between Parts I and II and ended up with the muse taking a joy ride directly over to the epilogue and start setting up the lead-in for the third book, UnHeard.

Which is why I'm postponing the beta I was planning for Part I which is more correctly still a very polished alpha, but some things might wiggle loose while writing Part II that I'd rather not confuse readers with as a clear work-in-progress when I jiggle some conversation and events just a bit askew.

I've also decided I'm going with BetaBooks for this. Click on the hyperlink and check it out, especially if you're interested in queueing for the beta in its current TBA state; I'll still put you on my list. Once I start putting up the beta on FB groups, you'll know it's in serious motion and I'll start linking people to them. I don't have official 'chapters' but everything is parsed into sections according to scene and characters, so I might start people out in different plotlines rather than the book in its usual chronology. This will keep people following one solid progression and able to spot confusing breaks in the continuity if present. I might leave it up to request for people to read it in its entirety, but be warned that this book will be super epic in length and will likely break 200K words in its entirety, so I endeavor to keep any commitments flexible this way. I even have bits that are really small, short story length, that I'd appreciate a look-through for.

So yeah, I jumped the gun on betas, but I promise this is for the quality of the experience since it is a very ambitious entry in the series.

Happy news all around though, short and sweet. I can feel my craft honing to a finer edge as I go. I'll never down on my first series, which still continues to entertain me whenever I read it, but I'd be lying if I didn't say that it only gets better. I'm still unconventional in my methods, but I believe that flexibility is what makes personal successes something to treasure. Perhaps someday there will be someone looking to discover my story and it won't be one you find in every writer's blog, the cookie cutter road to 'success.' For me, there's no greater motivating (and pant-shittingly scary) path to a good story than a life carved stubbornly through the mountain. Safe doesn't guarantee success, so why not aim for a worthwhile journey?

Tuesday, May 22, 2018

To Plot or Not to Plot... Maybe Just to Plod

A week was spent in writing... maybe only 3-4K towards my book. However, maybe three scenes, I realized all of my notes and ideas were going to be a hot mess, just picking up where things would start to unfold. Some parts were flashbacks to shed light on why certain events happened, some were just present scenes that revealed the bigger mystery, but it was quite clear that all of these ideas needed a solid framework.

Every story needs a different touch, point blank. Even in a single series, I'm not formulaic. Of course, beginning, middle, end is true for all of them. I'm not a firm believer in making the first sentence or first paragraph the hook. I have seen very few that do this that are able to keep the pace or not sound like a desperate plea to hold your attention. In fact, I like to write under the impression that the reader is at least somewhat like me-- enjoying a courtship that isn't one sided. I'm not trying to impress myself with my vocabulary nor assume you need every sight, smell and texture described for my creative writing teacher, to give you the bits that are relevant to the experience and let you fill in the blanks. Mind you, this is not advice I'll give to everyone, only that each book is not everything and it takes a lot of skill to withhold the need to show off rather than just weave a story of proper pace. I've read Stephen King explain the 'kill your darlings' advice in a non-literal sense; not as a call to kill your characters ruthlessly, but to terminate flowery prose and self-aggrandization to preserve the spirit of the piece. That's something I can dig.

There are pros and cons to plotting or not and this isn't about apple picking-- at this point, that sort of blog is low-hanging fruit. However, I'll use the experience this week to perhaps help a writer that started with a pantser and ended up staring at the reality that planning cannot be avoided any longer. First, let's get your baseline. Were you truly winging it and have nothing but the body text? Were you coming up with substantial ideas and jotting them down? In a notebook? In a program? On the side notes of Scrivener?

Krista got you.

You got nothing? Start here.

Let's go with the big fancy headers so you can skip to where it applies to you.

Don't get stuck here and fixate on your brick wall. A lot of people that get knocked out of the free-writing phase often feel like this is a logical weight like editing can be. Your ideas are probably slippery little fish, an intimidating school of feeding fish you're trying to count. I don't like to assume that having no outside notes is the most difficult. It's probably more work, but skimming through for the main points will be a little extra work with the bonus of refreshing your memory more thoroughly. There are a couple of ways you can take a block of text and make it less intimidating. If you're not a fan of chapters, at least make sure the scenes are divided. While you are parsing text into manageable blocks, if you haven't already, parse your chapters/scenes into a formatted table of contents in a regular word processor or start drop each one into its own scene in Scrivener. 

I often name each scene (which does not show up on the full document unless you want it to) to match the events. I have some just named things like Magic Upgrade or First Dance and this is usually enough to help me cross-reference it with scenes involving that characters. For word processors with the highlight function, you can color code scenes in the table of contents with each color representing the dominant character/characters (I'll use red for one, blue for another and purple when they're both present. Yellow for one, blue for one, green for both-- you can be strategic with the combos. A lot of characters? Use brown. Character deaths? Black or dark grey.).

For Scrivener, you can use a multitude of icons and color flags, etc. for the same coding purposes. You may know your story enough to build a color/icon system right away or you might want to alter it as you go. The idea here isn't immediately wrangling the full body of information, it's building sections that become increasingly more manageable as you go. 

You may only want your scenes to contain a few important details (Entering the Dark Room) or start by lumping full scenes (The Haunted Castle). Those scenes may grow or shrink as you decide which details need to be together to check for continuity. Remember, I write epic fantasy, so I usually have at least three main plotlines moving in and out of sequence. If outlining requires you to seamlessly follow a certain characters to build their plotline, it may be important to give them their own color. Maybe your story is moved by places. You may need to gather everything that happened at the castle to decide what needs to happen in the labyrinth.

To simplify this so far, build your outline from your general intention and themes, dividing sections in a way that lets you jump to them and gather relevant details almost thoughtlessly. You can use:
  • A linked table of contents to jump to these sections
  • The scene feature in Scrivener
  • A color coding or icon system
  • The Control or Command F feature to locate weird word indicators heading each related section
The idea is to create a map that is about to zip you through outlining.

You've got... something. Little bits.

You've been outlining to a point, but it's a bit disorganized or you feel like something is missing. You may need to use the color-coding/icon/keyword systemizing I went into above just to help you locate what you did do. You may also have this intimidating pile of notes that, when you wrote them, seemed very thorough. Maybe too thorough, but not quite in order now that you look at it. This is where my current story ended up. Some things in notebooks, some things preempted in the notes section of Scrivener but not where I was using them, just where I thought of them.

This is where I had to get my hands a little dirty this week.

Part I was actually well-organized, but built a lot of particulars I'd have to deal with for Part 2, maybe 3. I knew I wanted to take a similar approach, alternating between the two main parties with some room to lead in some subplots. This is where I had to take my pile and build plotline notes. I used Mac's Stickies for this but you can use color coded pages, specific dedicated pages in a notebook, whatever works best for you. The idea is to treat each slowly revealed plot and block them together. In my case, this was a little tricky. One plot has three specific timeline, when the character was young, when his son reached adulthood, and when those decisions came to a head in the present. I didn't want them back to back but rather I wanted certain present events to act as a lead-in to the past. This was done through one of the two parties' discoveries. Explaining it might be more confusing so basically it kind of went like this.
  • Main Party 1 - Broken Door, able to use Recall
  • Door Scene 1- As a youth
  • Main Party 2 - Light leads to tomb, name is important
  • Door Scene 2 - Prior to Gala Event Part I
  • Main Party 1 - Library, chains
  • Relevant Subplot - Villain's entry into City (past)
  • Door Scene 3 - A father's rage
Might not mean much to you, but each of those represents enough to lead me into knowing where to look if I need to make sure I've added certain details. One that I realized I missed early on was the affect that a certain sound had on a character. I had been able to zip through the scenes involving her just by following her labels.

From there, every idea got a container. I had an area map that I plotted their routes on quickly to plan each scene of their progress. It also set up where I alternated the scenes. Once I did this, it was a matter of making sure all the pieces found a home. What needed to happen in the conservatory, with Main Party 1 with these objects. Colonel Mustard in the Kitchen with the pipe wrench, if you must. You'd be surprised how fast those ideas fly into place if you prepared everything.

You overplanned. Your muse is MIA.

Yeah, been there too. Your details are not only chaotic and thorough, but they clash like a MF. You're probably staring a note mash-up that could be a novel all by itself and you've got it all together, but once you start to read it, it's chock full of inconsistencies. Sometimes they completely negate the way things worked in a previous book!

This may not be such a big deal unless you already have something published. Sometimes you know you're not 100% enough to release a series until you've written them all. Sometimes you jumped the gun. If they're not published, go to town on your (hopefully thoroughly outlined) first book and through in the changes you need. Otherwise, rework your sequel. I'd advise you not to heavily change an already published book. This really screws with your early print adopters and you do not want to do that. Bite the bullet and call it canon. If it's really hurting to let it go, store it for a future WIP or take on a second project. Even if it just means writing a scene that will fall somewhere in the middle of that book, get it out of your system. Remember, no book or series has to be everything. Often an author's entire body of work is revisiting a theme that you couldn't let go, courting it with other characters, a little different, but on its way to finding fulfillment. You don't want to half-ass an idea just to keep building it. Always give it all you've got but don't panic if you feel like it could be better. It may need a home somewhere else.

And the rest.

The only time you need to panic about having too much or too little is if you're aiming to be a one-hit wonder. This is where people really fret that maybe it isn't all it could be. If you can honestly say it's a solid story, where it needs to be for what it is, don't worry that you forgot the bad-ass dragon or the apocalyptic battle scene or that you just couldn't make them work on your first go. I think a lot of people give up when their first book flops, maybe even their first three. I have six books out there and I'm not even pressed about the marketing right now. When I started, I set one goal: fill a shelf with my work. That is my first priority. I'm not going to worry one whit about sales or marketing or financial comfort as long as I can keep focusing on building my library. That will come next. Even then, I'm not resting on that. Right now, I have so many ideas that one shelf would never hold them. They might fill the whole case. I might divide my priorities even then, but even with that driving goal, it's never been all or nothing.

Yes, I am planning on making this my career. Yes, best seller would be terrific someday. No, I don't plan on doing it for free. I don't care if a crafter is a novice or not, they should never undervalue hard work. There are absolutely atrocious best-sellers and under-valued masterpieces and neither really deserves it, but they both should absolutely stick to their guns. I was once accused of not being a serious writer because I'm not wasting time forcing the existence of my books.

In fact, one prevailing message I've learned is that some fantasy readers will not pick up a series until it's finished. Often, they are not convinced an author will do so. I can't shame an author for the time it takes to write a book and juggle life, but I have seen the frustration of readers who wait 5 years between books that are supposed to be finished in 5 books. Some people don't want to wait 20 years to reach the conclusion. Prolific readers sometimes want new material and to retain memory, visit one world start to finish, not treat every book like a serial comic. One thing I have done is feel out comments on social media, see where longtime readers and new readers fall on the spectrum. Young readers tend to be more forgiving while older readers tend to be set in their ways. If your target audience is young readers though, they might not see it through to the end if their tastes have changed significantly as they grow up. If your series is a classic, then it will still see consistent sales over time. If it's a trend, a wait might burn it out completely.

Of course I do my research and stay current. Market trends don't really interest me-- those are the shiftiest. However, audience trends are something I do watch. Genres and even age group content is often mislabeled because there are no regulations and they can skew their popularity by throwing their work into a niche. It's easy to seem more successful as a writer if your book is #3... in Grasshopper Fantasy. Or maybe YA Romance is trending, so even though your book is Adult Fantasy, you can get away with it because there's at least one subplot where young adults are interested in each other. This is why I never quite understand why people insists on labels, or warnings or guarantees of any kind. Why they think a cover or a review or a rating means jack shit. I have read terrible books and I have read wonderful books, but I have never regretted the act of discovery or the element of surprise. I believe the saying is something along the lines of 'If it's not a blessing, it's a lesson.'

I could probably keep babbling but I'll tie things up in a few paragraphs. The only thing I care about is whether a work shows integrity. That's what I try to do in my own stories. If you think that doesn't make me serious, it's both not my problem and sounds backwards in actual practice. When an author tells a story, I want to see that they care about it. When I read a dirty romance novel, I don't want them to juggle between intellectualism and smut. It's trying to please everyone and failing. To imply that you have to burn out trying to be successful just sounds like a superficial and temporary attitude. That kind of writer makes me think they'll stop once they've earned their fortune, that opinion will sway the quality too much, that they don't really care about their work, just the end game. I've seen too much work tank over time that way, whereas the really great work only got better and better as they struggled with what it meant to them even when financial success wasn't the motivation. I've seen so many writers even grumble over the demand to continue a series when they wanted to move on-- how they could still write a superb story that wasn't thrown away in spite of that. If you can write knowing that your most notorious work may be the one you're most embarrassed about, that's what I call serious.

I don't care how fast or slow you write. I don't care if you plot or don't. When you thirst for the way to make your story work, I respect that. When you'll read through long blog posts to see if you can learn at least one new thing, I get that (and do that). Because books, if they're lucky, have one magic moment in someone's life.

If you want a fun rabbit hole to research, look up famous books that the authors didn't like. You'd be really surprised by which books fall into that category. Plenty of people adore their work and never see reciprocation, but there's that flipside that makes you deepen your attitude towards your craft. Did you know that you can be detached and write an emotional story? Find your opposite attitude, your opposite method, and see what it can show you.

As for progress, the topic gets you mostly there: I've got Part II thoroughly outlined and ready to cruise. I'm excited to get back to a more creative flow. In the notes sections of each scene, I kept all of the main points to a short list that I can keep eyeballing as I go. I've tried making more thorough notes in the past, but when I get too detailed, I rarely commit even then. It tends to be wasted work if I overplan (and not the sort worth carrying over-- more like a 3 AM idea that I can admit I'm glad will never see the light of day). So UnSung is back on meaningful word count mode this week. I do intend to do some drawing towards the end of the week. The kiddos are out of school so I'm also going to spend some time keeping them from this alien concept called boredom. A couple hours of quality time can save me 8 hours of whining distractions. Both emotionally fulfilling and calculating-- some things are better bedfellows than you think!